Executive Overview
In a significant cross-cultural television development, acclaimed Greek filmmaker Alexandros Avranas—best known for earning the Venice Film Festival’s Silver Lion for Best Director with his harrowing psychological drama Miss Violence—has officially taken the helm of the Greek adaptation of The Others. The high-stakes psychological series is a localized remake of Globoplay’s breakout Brazilian hit created by master television writer Lucas Paraizo.
The production is currently underway in Greece under the banner of production house Primavisione, following a formal format sales agreement finalized between Greek broadcaster Alpha TV and Brazilian media titan Globo in late 2024. Boasting an elite ensemble cast featuring Maria Nafpliotou, Charis Fragulis, Nikos Psarras, and Paschalis Terzis, the Greek version of The Others aims to translate a uniquely Brazilian meditation on urban alienation, tribalism, and societal breakdown into a culturally distinct, high-end European television event.
This multi-territory adaptation agreement marks a major milestone in Globo’s aggressive international format strategy, proving that deeply localized storytelling can transcend linguistic and geographical boundaries. Beyond The Others, the collaborative momentum between Alpha TV and Primavisione is expanding to include a local adaptation of Globo’s celebrated telenovela All The Flowers. As high-end television increasingly relies on universally resonant, character-driven narratives, the Greek reimagining of The Others stands as a masterclass in global co-production and intellectual property exchange.
Detailed Chronology of the Partnership and Production
The genesis of this cross-continental creative fusion can be traced back to the burgeoning global appetite for high-concept psychological thrillers rooted in contemporary social anxieties.
Late 2024: The Format Sales Agreement
The groundwork for the Greek adaptation was laid in late 2024, when Brazilian media powerhouse Globo and Greek television leader Alpha TV finalized a comprehensive format sales agreement. Recognizing the universal themes embedded within Lucas Paraizo’s narrative architecture, Alpha TV secured the rights to adapt The Others for the Greek domestic market, tasking production company Primavisione with bringing the ambitious project to life. This strategic alignment was part of Globo’s wider export initiative to license its top-tier intellectual properties for local adaptations, mirroring similar international plays in Peru and Portugal.
Casting and Creative Assembly
With the ink dry on the acquisition papers, Primavisione curated a premier roster of Greek acting talent to anchor the psychological intensity of the series. The cast was structured around veteran stage and screen performers capable of capturing the nuanced, morally gray layers of Paraizo’s characters. Maria Nafpliotou (Café 404) and Charis Fragulis (Afterlov) were tapped to lead the core ensemble alongside Nikos Psarras (The Fire Bracelet) and Paschalis Terzis.
To ensure the production matched the cinematic pedigree of the original Brazilian iteration, producers enlisted Alexandros Avranas. Avranas, who stunned international cinema audiences with his clinical, unflinching exploration of family dynamics in Miss Violence, brought his signature tense, atmospheric visual language to the television medium.
Production Kickoff and Creator Site Visit
Cameras began rolling in Greece, setting off a rigorous production schedule designed to capture the claustrophobic, paranoid atmosphere of a gated community tearing itself apart. To mark the commencement of principal photography and evaluate the international execution of his work, series creator Lucas Paraizo traveled directly to the Greek set.
During his visit, Paraizo observed the filming of one of the first season’s pivotal narrative turning points: the explosive confrontation between the characters corresponding to Cibele and Wando, triggered by an escalating dispute between their teenage sons. The on-set synergy between the Brazilian creator, Greek director Avranas, and the local ensemble reaffirmed the universal framework of the script, setting a collaborative tone for the remainder of the shoot.
Supporting Context & Metrics: The Global Footprint of The Others
To understand the weight of the Greek adaptation, one must examine the staggering cultural and commercial footprint established by the original Brazilian version of The Others on Globoplay.
Lucas Paraizo and the Blueprint of Success
Created and written by Lucas Paraizo—widely regarded as one of the premier creative driving forces in contemporary Brazilian television—The Others quickly established itself as a benchmark for prestige streaming drama in Latin America. Paraizo’s pedigree includes the critically acclaimed medical drama Under Pressure, an explosive property that achieved monumental international distribution, successfully selling to over 60 countries worldwide.
Plot Mechanics: The Anatomy of a Neighborly War
The narrative engine of The Others is deceptively simple yet devastating in its execution. Set within a seemingly idyllic, modern urban housing complex, the story centers on two neighboring families whose lives violently intersect following a physical altercation between their teenage sons. What begins as a petty, garden-variety dispute between adolescents rapidly metastasizes into an all-out tribal war between the households.
As the conflict escalates into absurd, dangerous territory, the series acts as a magnifying glass on modern urban isolation. It examines how a fundamental lack of communication, coupled with rampant tribalism and defensive paranoia, can push seemingly ordinary citizens to commit extraordinary acts of malice. The psychological terror of the show does not stem from external supernatural forces, but from the terrifying proximity of the "other" living right next door.
Franchise Consolidation in Brazil
In its home market, The Others has cemented its status as a foundational pillar of Globoplay’s original content strategy. The franchise achieved further consolidation and mainstream critical validation with the premiere of its eagerly anticipated third season this year. The sustained domestic demand for the series provided the robust intellectual property equity necessary to fuel international format sales, assuring foreign buyers of its proven capacity to captivate audiences over multiple narrative arcs.
Official Statements and Industry Insights
The cross-border collaboration has elicited enthusiastic commentary from the executive leadership and creative masterminds steering the project, shedding light on the strategic value of international format adaptation.
Angela Colla, Head of International Business at Globo, emphasized the overarching vision driving the studio’s global expansion:
"The start of filming for the Greek version of ‘The Others’ is another important step in our international formats strategy. The partnership with Alpha TV proves the strength of Brazilian narratives that transcend borders. The essence of Lucas Paraizo’s text is about human relationships, and we are excited to see how this story will resonate with the Greek audience."
Christos Kompos, Program Director at Alpha TV, framed the acquisition as a monumental leap forward for Greek television programming standards:
"Partnering with a global powerhouse like Globo gives us the creative foundation to produce something truly exceptional. Lucas Paraizo has written a narrative that holds a direct mirror to modern society, showing how quickly community ties can fracture when people stop talking to one another. Under the visionary direction of Alexandros Avranas and led by a phenomenal ensemble cast, we are elevating this incredible Brazilian psychological drama into a culturally distinct, high-end production. It is a privilege to collaborate with Globo to breathe new life into a story that is as globally relevant as it is locally poignant."
Reflecting on his firsthand experience visiting the European production, creator Lucas Paraizo shared his admiration for the creative team:
"I was on the set of the Greek version of ‘The Others’, a series I created, and had the pleasure of watching the shooting of one of the most important scenes of the first season: the scene where the characters Cibele and Wando face off over their sons’ fight. I had the pleasure of witnessing the enthusiasm of the cast, crew, and director Alexandros Avranas, whom I’ve been a fan of since he directed the feature film ‘Miss Violence’. I am curious to see this new version of the series and am sure it will be a success in Greece, as it was in Brazil, countries that have a lot in common."
Future Outlook and Strategic Implications
The Greek adaptation of The Others represents far more than a simple exchange of intellectual property; it serves as a bellwether for the shifting economics of the global content marketplace. As Western European broadcasters increasingly seek out battle-tested, high-concept narrative formulas from non-traditional hubs like Latin America, the traditional Anglo-American hegemony over scripted formats is steadily giving way to South-to-South and South-to-Europe creative alliances.
For Globo, the expansion of its format catalog into Southeastern Europe via Greece—bolstered by concurrent local adaptations of properties like Her Own Destiny in Peru and Portugal, alongside the companion Greek adaptation of All The Flowers—cements its status as a tier-one global content architect. By pairing Paraizo’s intensely human, socially probing scripts with the distinct auteur sensibilities of directors like Alexandros Avranas, Globo proves that emotional resonance is a universally translatable commodity.
Looking ahead, the success of The Others in Greece will likely serve as a catalyst for further co-productions between Alpha TV, Primavisione, and international studios. As post-production ramps up and anticipation builds for the series premiere, industry watchers will be closely monitoring how Greek audiences respond to this mirror held up to modern urban alienation. If the creative chemistry observed on set by Lucas Paraizo is any indication, the neighborhood wars depicted in The Others are destined to become just as explosive, provocative, and addictive on the streets of Athens as they were in the high-rises of Rio de Janeiro.
